A Tribe Called Quest- Phife Dawg passes away at age 45 #phifedawg



Malik Taylor, the rapper known as Phife Dawg whose nimble, clever rhymes helped launch A Tribe Called Quest to both commercial and critical success, died Tuesday at the age of 45 from complications resulting from diabetes. Rolling Stone has confirmed the rapper’s death.

Taylor had had health issues for years, undergoing a kidney transplant in 2008 to deal with a longtime battle with diabetes. “It’s really a sickness,” Taylor said in Beats, Rhymes & Life, Michael Rapaport’s candid 2011 documentary on the group. “Like straight-up drugs. I’m just addicted to sugar.”

“Malik was our loving husband, father, brother and friend,” his family said in a statement. “We love him dearly. How he impacted all our lives will never be forgotten. His love for music and sports was only surpassed by his love of God and family.”


“Family, my heart is shattered at the loss of my beautiful son,” Taylor’s mom Cheryl Boyce-Taylor wrote on Facebook. “Thank you for your love and good wishes. Malik made me so proud, and he was a good and humble son. What holds me is that he brought joy through his music and sports, and that he lived a magical life. He is with his beloved grandmother and his twin brother Mikal today. God bless you Malik Boyce Taylor. Please send prayers to my daughter-in-law Deisha.”

Taylor appeared on all five of the group’s studio albums, most notably 1991’s The Low End Theory and 1993’s Midnight Marauders, acting as the high-pitched, gruff vocal counterpoint to Q-Tip’s smooth, mellow flow. The group broke up and reunited multiple times since the release of their last album, 1998’s the Love Movement. As documented in Beats, Rhymes & Life, the group would sporadically reunite for live shows, but stopped short at recording new material.

Health problems deterred Taylor from recording much solo material, though the rapper released his only solo album Ventilation: Da LP in 2000. Speaking to Rolling Stone last November, Taylor was tentatively optimistic about both his health and future recording plans.

“I am in a good spot, but I have my good days and I have my bad days,” he said at the time. “But I’m more or less in a good spot, so I can’t really complain.” In the same interview, Taylor revealed plans to release the J Dilla-produced “Nutshell,” the first single off a planned EP titled Give Thanks. The rapper released a video preview of the song, though a full version has yet to be released. Prior to his death, Taylor had also been at work on Muttymorphosis, his new LP that would have functioned as “basically my life story” that he hoped to have released later this year.



Taylor was born November 20th, 1970 in the Jamaica area of Queens, NY. Living in the same area as Q-Tip, he would meet his future groupmate at the age of 2, with the duo attending the same school and playing little league baseball together. “We were best friends,” Q-Tip said in Beats, Rhymes & Life.


As recounted in the film, the rapper would visit his grandmother, a strict Seventh-day Adventist, on weekends and sneak in episodes of Soul Train for his early musical education. “When it came to block parties and hip-hop, once I saw them grab the mics and getting busy, I risked my livelihood getting kicked out of the house and everything just to be a part of it,” Taylor said in the film.

At the age of 19, Taylor contributed verses to four songs on A Tribe Called Quest’s 1990 debut album People’s Instinctive Travels and the Paths of Rhythm, including an iconic verse on the group’s third single, “Can I Kick It?” Despite the song’s enduring appeal, Taylor himself was not happy with his contribution. “It’s hard for me to get into ‘Can I Kick It?’ … for the simple fact that I hated my voice back then,” he told Rolling Stone. “It was high-pitched and [speaks in high-pitched voice] ‘Mr. Dinkins’ and I couldn’t stand it. It’s hard to listen to that album because of my voice. It’s almost like, thank God I was only on four records.”



Taylor and fellow Tribe member Jarobi had planned to start their own group, but the two would join Q-Tip and producer Ali Shaheed Muhammad officially on 1991’s Low End Theory. Buoyed by exuberant songs like “Buggin’ Out,” “Check the Rhime” and “Scenario,” Low End Theory‘s landmark fusion of hip-hop and jazz remains a benchmark for the genre, influencing countless rappers and producers and providing the blueprint for a strain of rap as indebted to Grover Washington, Jr. and Ron Carter as James Brown. “He brought the street to A Tribe Called Quest,” said the group’s former manager Chris Lighty in Beats, Rhymes & Life. “If Q-Tip was esoteric and on Pluto, Phife would bring them back to the moon so that it was in the realm of human understanding.”

The album would eventually earn a spot on Rolling Stone‘s 500 Greatest Albums of All Time, with hip-hop fans flocking to the vocal interplay between Tip and Phife. “I like the fact that we bounce off of each other like yin and yang, nice and smooth, you know?” Phife told Rolling Stone last year.

Midnight Marauders would appear two years later, equalling its predecessor in lyrical dexterity and organic, layered production. The album would spawn hits like “Award Tour” and “Electric Relaxation” and is often ranked as one of the best hip-hop albums of all-time.


Taylor moved to Atlanta from New York following the release of Marauders, a shift he claimed exacerbated the infighting that had been increasing in the group. Two more albums would follow — 1996’s Dilla-co-produced Beats, Rhymes & Life and 1998’s The Love Movement — though neither achieved the same success as previous efforts.

Following the group’s dissolution, Taylor continued to battle diabetes, reuniting with the group for live shows, in part, to help defray medical costs. “Even though I knew I had [diabetes], I was in denial,” Taylor said in the documentary. “I had to have my sugar. You have to accept it. If you don’t accept it, it’s going to kick your ass.”

Last November, the group reissued People’s Instinctive as the first of a massive reissue campaign. A Tribe Called Quest’s Tonight Show performance of “Can I Kick It?” — their first televised performance in 15 years — would end up being the group’s last.



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Social Menace is teaming up with Wu Tang’s Solomon Childs #wutang



In an era where run of the mill rappers come a dime a dozen, artist Solomon Childs sits atop his
own throne as possessing one of the most notable and unique voices in all of hip hop. Coming up in
the 90’s under the Wu-Tang regime afforded Solomon what seemed to be the opportunity of a
lifetime. As the Wu-Tang Clan became the world’s most sought after group, Solomon’s early career
was filled with nothing but gold and platinum certified achievement.


The New York based emcee
scored critical fanfare and praise for his contributions to Cappadonna’s “The Pillage” (Certified Gold),
Ghostface Killah’s “Supreme Clientele” (Certified Platinum), Wu-Tang Killah Beez “The Sting”
(Certified Gold), and both Wu-Tang Clan front man RZA’s “Bobby Digital” albums (Certified Gold
While fueling off the album successes of the late 90’s into the new millennium, Solomon Childs
was sought out by fans and critics all over the world who had sung his praises for his unique gutter
flow and grimey verbal prowess. Spanning across Europe, Latin America, and throughout
Northern America, Solomon made his mark in the physical by performing alongside artists such as the
Wu-Tang Clan, RZA, Ghostface Killah, Theodore Unit and more while earning the loyalty and respect
of a diverse and wide array of fans who cared nothing more than for the art of hip hop and those like
Solomon leading at the forefront of the movementSuper Duper


During this time, fans and media outlets all around the world embraced the artist known as Solo-
mon Childs for his vocal contributions and appearances in many classic videos such as Cappadonna’s
“Black Boy”, Ghostface Killah’s “Cherez La Ghost”, RZA and Kool G Rap’s “Cakes”, and Remedy’s
“White Boy”.
Whether it was long periods of tour travel and promotions, being a public icon, or the constant
struggle that comes with maintaining a high demand work schedule as an entertainer,


Solomon began prepping himself as a solo artist to further brand the name Solomon Childs and step
out from the Wu-Tang shadow. While maintaining the same voice that his fans throughout the 90’s
until now had held in such high regards, Solomon learned that it was essential to be as versatile as
possible in order to survive in the ever so changing music business. Mixtape collaborations with the
likes of RZA, Alicia Keyes, Destiny’s Child, Mark Ronson, and more earned Solomon a huge
following as a solo artist with combined sales of over 75,000 units.
From an emcee who refuses to fade with the times as the essence of hip hop is eclipsed with
short lived trends and even shorter lived artist careers, comes the man we know as Solomon Childs.
Recognizing his potential at this very point in time is exactly the motivation behind Solomon’s desire
to move forward and progress rather than dwell on the luxuries and successes of the past. In the year
2009, the voice of the people that is Solomon Childs is set to speak great volumes…
make sure you’re tuned in.


Funeral Talk (The Eulogy)
The Wake

The King Kong Of New York
Learn My Name

The Art Of Making Love & War
You Don‘t Want War
The Young General
Wu-Tang 4 Life

Follow Solomon Childs on:


Facebook Official.SChilds

Instagram @s_childs


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Social Menace @ Eclipse June 25th in Denver Co.


Elevated Elements presents ECLIPSE June 25, 2016.

June 25 – June 26
Jun 25 at 8 PM to Jun 26 at 6 AM

The Fusion Factory
3563 Walnut St.
Denver, CO 80205


!!!!!!!!!!! BYOB !!!!!!!!

$10 1st tier Eclipse pass!

$15 2nd tier Eclipse pass!


Live Painting During the event provided by Mr. Crumbs wild 3D art work!


Djs for our view of the Eclipse!


Domino Trixter



Pillow Frisbee & Teddy Beatz

Dirty Rotten



Master Mash

Super Duper

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